Posts Tagged ‘Kim P Moody’

The marble headboard is finished. The colours chosen for this take on Carrara marble are shades of grey (but not fifty!).

The finished piece

Rather than the extremes of black and white, I have used Paynes Grey for the darkest, and mixed a value 8-9 grey for the lightest. White was used for the light fault lines.

The finish was built on MDF, sealed, then base coated with a pale beige silk emulsion.  The final finish is satin. What do you think?

    

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Left to right: flogger, softener, spalter, stippler

It helps to have the right tools for the job.

I have a commission for a large faux finish piece, so I need the proper equipment to get it done. On a small decorative article I can use my ordinary artist brushes and achieve the desired results, but this one will need more time, and the correct tools.

It took a while to track them down, but after checking out various suppliers, I ordered them on-line.

To achieve the desired finish the paint has to remain ‘open’ – workable – for considerably longer than it would normally, so it is mixed with a glazing medium. An industrial size pot is needed, rather than the small quantities used in art work.

My commission is for a large faux marbre (marble) headboard, so I need a large stippler and a badger hair softener. For faux bois (wood), I’ll need a horse-hair flogger and a spalter. They’ve all arrived, so I’m ready to paint!

Today I spent the whole day with the airbrush! Luxury!

I set myself a bit of a challenge with this image inspired by a Warhammer 40000 Space Marine.

He has been executed in black using the latest waterbased colours from the Airbrush AcademyThe Airbrush Series. This is a new range of colours sold direct by the man himself, Mick Neill. They work straight from the bottle, and for added control, the range includes its own thinner. I can recommend them.

OK, product plug over. I spent the weekend making masks and shields to define the hard edges, so that I could concentrate on getting the paint on – and this is the result. It’s on a 20″ x 16″ canvas board.

What do you think?

I haven’t posted much recently. Since taking early retirement, I seem to have been too busy.

I’ve up-cycled a load of furniture, helped Julie re-organise the conservatory into a working studio, taken loads of photos, done boring stuff like gardening and clearing the garage, and a load of other things (the shower is a WIP at present).

I spent a day Powertex-ing, and played with DecoArt Texture Sand Paste, and we went to Sheffield to spend a day with a bunch of Yorkshire lasses creating a mixed-media art journal.

And tomorrow I head off to the Lake District for a three day Cumbrian Adventure. Julie will be there to attend a photographic course, which leaves me free to explore! Now, I’ve got nothing planned, but I will have the internet and a large map, so I could end up anywhere – I’ll try and book in with Facebook (technology permitting) so you can see what I’m up to.

 

I’m reasonably happy with this portrait. This is my first attempt doing one on a black substrate, a different technique to using white. Thanks to Mick Neill at the Airbrush Academy for the training!

This is a monochrome portrait, and I used a picture of famous actress (or should that be actor?) as my subject. Does anyone recognise her?

RIGHT! OK you lot, LISTEN UP! Now all the hoo-ha of Julie retiring is over, it’s my turn.

I retired last week, as well.

It was a bit like my own mini-Brexit – getting free from the oppressive constraints of a huge organisation that has lost it’s way, and being free to negotiate, and make better deals for myself. No more trying to fit things in around work, or taking a day’s leave to be able to get to an event; my time is my own to manage as I wish.

So – I’m available and free! (well, reasonably cheap), open to offers, and raring’ to go!

I’ve been back to Mick Neill’s studio, The Airbrush Academy, for the Intermediate Module. This time, three days. See my earlier post for the Beginner Module

We covered colour theory, how to mix colours, how to match colours, and, of course, how to apply colours. That’s all – thanks Mick.

Barbosa and The Black Pearl – my version