Posts Tagged ‘new project’

The marble headboard is finished. The colours chosen for this take on Carrara marble are shades of grey (but not fifty!).

The finished piece

Rather than the extremes of black and white, I have used Paynes Grey for the darkest, and mixed a value 8-9 grey for the lightest. White was used for the light fault lines.

The finish was built on MDF, sealed, then base coated with a pale beige silk emulsion.  The final finish is satin. What do you think?

    

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Left to right: flogger, softener, spalter, stippler

It helps to have the right tools for the job.

I have a commission for a large faux finish piece, so I need the proper equipment to get it done. On a small decorative article I can use my ordinary artist brushes and achieve the desired results, but this one will need more time, and the correct tools.

It took a while to track them down, but after checking out various suppliers, I ordered them on-line.

To achieve the desired finish the paint has to remain ‘open’ – workable – for considerably longer than it would normally, so it is mixed with a glazing medium. An industrial size pot is needed, rather than the small quantities used in art work.

My commission is for a large faux marbre (marble) headboard, so I need a large stippler and a badger hair softener. For faux bois (wood), I’ll need a horse-hair flogger and a spalter. They’ve all arrived, so I’m ready to paint!

RIGHT! OK you lot, LISTEN UP! Now all the hoo-ha of Julie retiring is over, it’s my turn.

I retired last week, as well.

It was a bit like my own mini-Brexit – getting free from the oppressive constraints of a huge organisation that has lost it’s way, and being free to negotiate, and make better deals for myself. No more trying to fit things in around work, or taking a day’s leave to be able to get to an event; my time is my own to manage as I wish.

So – I’m available and free! (well, reasonably cheap), open to offers, and raring’ to go!

I enjoyed the last doodle I did. It expanded on the Inktober challenge. I was looking around for another subject that would be interesting and recognisable and decided on a local landmark.

Just down the road, in Warsash, there is a clock tower. It used to be the water tower for Warsash House, but the water tank has gone, it has been restored, and is now a residence.

So here is my rendering of the tower (pen and wash on Bockingford watercolour paper), as seen from Warsash Road, near The Ferryman pub (used to be the Great Harry pub).

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The Clock Tower, Warsash

I didn’t get to the Ministry of Mixology in Coventry, an event of painting, fun, and laughter, with Andy Skinner, Brenda Brown, and Mark Gould, so I made up my own.

I’ve got a couple of projects to get ready for our own event in March, and this was a good opportunity to make progress with those, and, while the layers were drying, a little bit of doodling’.

So here we are, a little bit of ‘line and wash’ …

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This week I have started a couple of new projects. There are three faux finish techniques I am going to try; old leather, ‘dragon skin’, and burr walnut.

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The first part is complete. I have given a blank trinket box an old leather finish with a piece of dragon skin to embellish the lid. The full project will be in a future edition of The Decorative Folk Artist, but as a taste here are a couple of pictures of how it started, what went wrong in the middle, and how it all came good in the end – like all good stories should.

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Oh dear! Just when I didn’t want crackle finish!

 

 

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Phew! Rescued it in the end!

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The faux leather went well!

The walnut (that’s what the coasters are for) is going to be the wood grain from the swollen diseased part of the tree that is so rare, and makes beautiful panels in expensive furniture. But that will be along later …

So much for modern technology. The Mac is great for the on-screen stuff, and printing, and efficiency, and all that. But like anything with character and soul it has to be hand done, with flaws and smudges and wobbly bits. And that’s the difference between a typewriter, and a PC and printer.
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Here we have a Maritsa 30, made in Plovdiv, Bulgaria in the 1970s, possibly a copy of a Japanese Silver-Seiko design. Everything seems to be in working order, so soon words of wisdom will be flowing through the keys again. I doubt I shall produce reams of literature on the Maritsa, but it will certainly be great for journalling with the mixed media projects.

For more information the Oz Typewriter blog seems a good place to start.

Now where’s the Tippex and carbon paper … ?