Archive for the ‘k patrick moody’ Category

I’ve been back to Mick Neill’s studio, The Airbrush Academy, for the Intermediate Module. This time, three days. See my earlier post for the Beginner Module

We covered colour theory, how to mix colours, how to match colours, and, of course, how to apply colours. That’s all – thanks Mick.

Barbosa and The Black Pearl – my version

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This piece was commissioned as a ship’s log for the MV Bluedon. Not the official log, but one that is suitably decorative for a steampunk captain.

The base is a plain art journal, decorated using DecoArt products, including Media Texture Sand Paste, Modelling Paste, Crackle Paste, and Crackle Glaze, together with Media Fluid Acrylics. Embellishments by Tando and Tim Holtz. Special techniques inspired by Anna Dabrowska and Andy Skinner.

Front cover of the Bluedon ship’s log

Back cover of the Bluedon ship’s log

Front cover detail

 

Design © 2017, Kim P Moody

 

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Kim’s Saturday session

For full details and to book your place go to the BADFA blog site!

For the first time, I’ll be teaching at the Convention. Our main event is international visitor, Peggy Harris from Nashville, TN, but we were asked to cater for a broader skills base, so Suz Humphreys and I will be adding a little seasoning to the mix.

Suz is doing two half day sessions on Friday (31 March), starting with her Peacock Feather in the morning, and a FolkIt piece in the afternoon.

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I am running an all day session on Saturday (1 April – April Fools’ Day – is that significant?). It will be multi-media work on an art journal, using the DecoArt Media range, with lots of ‘whatever’ – choose your finish; Steampunk or Steampink – Industrial grunge or Girly Goth.

If I’m really lucky I’ll get to flex my traditional brush-strokes muscles on Sunday (2 April) and lead a ‘Ribbon and Daisies’ class, too!

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Another challenge! This one is all about Thanksgiving – and giving thanks. It originated on Tracy’s blog when she went back to her journal and created a page for all the things she is grateful for.

img_2085I started with photo mount board that I found lurking in my stash. First, a base coat of DecoArt Media White Gesso, followed by some texture using Media Modelling Paste through a ‘Rays’ stencil from the Tim Holtz Collection.

The letters were cut from another piece of photo board. It’s nice and thick and will look like rusty ironwork when I’ve finished. Some tiny brads will be turned in to rusty rivets. The colours had to be autumnal, so for the background I blended DecoArt Media Fluid Acrylics; Primary Magenta, Cadmium Orange Hue, and Diarylide Yellow.

To dirty-up the background I used a selection of Brusho crystals spritzed and dribbled; mostly dark brown and leaf green. Final background effect is courtesy Andy Skinner’s Stampendous texture stamp and archival black ink.

Words were handwritten with a Zig 005 Millennium pen – hidden amongst the texture for you to seek out.

The ‘thanks’ letters are mine – super rust technique is Andy Skinner’s.

 

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special nibsIt’s a bit of wordplay on the name of my other blog (Scratchypen’s blog), but I found some old scratchy pen nibs hidden away among my Mum’s odds and ends that I inherited when she died.nibs2

I found them in a small box, labelled ‘Special nibs’. Most were dirty and encrusted in dried ink but with a little soapy warm water and effort they are back in to a useable state, ready to continue their creative journey. For those in the know about nibs and pens they are:

  • Dryad Handicrafts Leicester – size 1 and 1.5
  • C. Brandauer & Co – Baltic Pen No.163 – Birmingham
  • MacNiven & Cameron – Waverley – Birmingham
  • Osmiroid Rolatip – Broad (fountain pen nib)
  • William Mitchell’s “Script” Pen – 3   08/6
  • I think the odd blade thing is a scraper for getting rid of mistakes (I’m sure someone will let me know for sure)

They’ll never again be in a condition to do the finest calligraphy, but they will be great for journalling and scroll work in the mixed media stuff that I get up to.
Thanks Mum.

So much for modern technology. The Mac is great for the on-screen stuff, and printing, and efficiency, and all that. But like anything with character and soul it has to be hand done, with flaws and smudges and wobbly bits. And that’s the difference between a typewriter, and a PC and printer.
typewriter

Here we have a Maritsa 30, made in Plovdiv, Bulgaria in the 1970s, possibly a copy of a Japanese Silver-Seiko design. Everything seems to be in working order, so soon words of wisdom will be flowing through the keys again. I doubt I shall produce reams of literature on the Maritsa, but it will certainly be great for journalling with the mixed media projects.

For more information the Oz Typewriter blog seems a good place to start.

Now where’s the Tippex and carbon paper … ?

W16_CB_2_150x300Just signed up for Wanderlust 2016. It’s a whole year’s worth of creative and inspiring classes – 24 teachers, 50 video lessons! Trouble is it’s been running since January and I’m 18 weeks behind! Luckily, it is all downloadable so I can work at my own pace.

I’ll keep you posted … Visit Everything Art for more.